In the late 19 th century, Herbert Sulzbach's parents joined the flow of other well-to-do families – many of them liberal Jews like themselves – who moved to the western part of Frankfurt. Emil Sulzbach was a wealthy banker and their neighbours were mainly other rich bankers, lawyers and jewellers. Emil and Julie had a huge villa built in Friedrichstrasse and this became the much-loved family home for Herbert and his brother and sister. The Sulzbach family bank, Gebrüder Sulzbach, had been founded in 1856 by Herbert's grandfather, Rudolf, and his brother and it was the source of the great wealth that was passed on to future generations. Members of the Sulzbach family lived in opulence in Frankfurt during the eighteenth and nineteenth centuries. But this wealth was also shared with the city. For example, the Sulzbachs contributed to the cost of the creation of the Palmengarten with its exotic plants and greenhouses which was built for the use and enjoyment of the people of Frankfurt. In winter, the lake in the garden often froze over and local people enjoyed meeting there to skate. When Rudolf Sulzbach died in 1904, his sons (Herbert's father, Emil, and Karl) used part of their inherited fortune to establish a foundation of 100,000 marks for the education and training of talented young businessmen and for the benefit of those in need of help. Rudolf had already supported an endless number of other philanthropic ventures. Emil Sulzbach had resigned from the family bank in 1894, just a few weeks before Herbert was born, in order to devote himself to music. He was then 38 years old and an accomplished pianist, as well as a composer. From 1904 until 1923, he was also the chair of the governing body of the Frankfurt Konservatorium when, with teachers such as Clara Schumann on the faculty, it became internationally known. He was also actively involved in science, the arts, and various social institutions in the city and was generous in his patronage. He was on the board of the widows' and orphans' fund of the opera house, provided funds for student musicians, and was on the board of directors of the Senckenbergianum – Frankfurt's natural history museum. As Herbert said of Emil Sulzbach, 'I have often described my father as the most modest millionaire. He lived only for others, spending millions for music and poor musicians, helping thousands without ever mentioning his name.' After his death in 1932, the city council honoured Emil Sulzbach with the naming of a street in Frankfurt in gratitude for his charitable works. (photo shows Emil Sulzbach outside the gates to his villa in Friedrichstrasse, Frankfurt)

'My dearest children, I am in a great hurry to say to you that Vati [Daddy] and I are quite well. Please don't worry about the war, and if you don't get letters from us, don't be sad.' Henny Hartog wrote these few lines on a postcard from Brussels on 10 May 1940, as bombs rained down on the city and panic and confusion erupted around her and her husband, Hermann. She was writing to her two young daughters who were, mercifully, safely in England – Lore (aged 15) and Inge (aged 13). Henny and Hermann were Jewish refugees from Germany who had been living in Brussels for the previous six months in the hope and expectation of being able to emigrate from there to the USA, where Henny had relatives who were willing to give them shelter. But political events overtook their plans, and they now found themselves living in a city that was being invaded by the Nazis who had already destroyed their previous life in Germany. The German assault was swift and efficient, leaving the Belgian government overwhelmed by the turn of events. Within hours of the invasion on 10 May, the radio announced that all Germans living in Belgium faced internment and should report to the nearest police station. There was fear that all Germans might be Nazi sympathisers – when in fact most of the Germans in Belgium were refugees fleeing Nazi aggression. After reporting to their local police stations, these refugees (many of them Jewish) were directed to large halls where they were detained. A planned and organised evacuation of citizens was impossible and by 12 May Brussels was largely deserted and in chaos as people fled westwards to escape the advancing invaders. As refugees, Henny and Hermann Hartog had registered with the authorities when they first arrived: their names, religion, addresses and other details were already recorded. It was not difficult for those same authorities to find them and decide that they were no longer welcome in Belgium. Along with thousands of others, they were detained before being moved out of the country. Their belongings which they had managed to bring with them from Germany were all left behind. In this way, on 15 May 1940, Henny and Hermann were taken from Brussels and on 19 May they arrived in Paris. As Henny wrote to her daughters,  'It is impossible to tell you about all that has happened. I think that all our things have been lost.' (photo shows a newspaper report of the German invasion of Belgium 10 May 1940)

In May 1945, Herbert Sulzbach was working as a British officer in a camp for German prisoners of war in Scotland. He was the interpreter at the camp because he spoke fluent German. Fifty years previously, he had been born into a German Jewish family in Frankfurt and had fought for Germany in the First World War. But he viewed this defeat of Nazism with joy – and pride that he had fought for Britain in the Second World War. He had four days leave due at the beginning of May so he took the train to London to join in the celebrations for the end of the war in Europe. He was overwhelmed by the joy he felt in this 'great and glorious event' and when he returned to Scotland he wrote to his older brother, who had taken refuge in Sweden: 'On 8 May I stood in Piccadilly Circus. It was hot and sunny, just as it had been on 3 September 1939 when war was declared. The crowds were singing, dancing, cheering, and were very high-spirited.' He watched with amusement as three young British officers ran out of a restaurant and attempted to scale the protective boarding around the fountain of Eros, in the centre of Piccadilly Circus. When they finally reached the top, the crowd cheered and men and women from all the forces and countries that had fought for this victory continued the day with dancing and singing, hugging and kissing. That evening, Sulzbach wrote a letter to the woman who had been his English governess in his Frankfurt childhood. 'No words exist to express the atmosphere of these days. It is a mixture of joy, deep emotion, and highest pride.' What Herbert Sulzbach wanted now – more than ever – was to forge a spirit of friendship and reconciliation between Germany and Britain. When he returned to the camp in Scotland, he was aware of the changed mood amongst the prisoners there. 'They began to see how much their 'Führer' had lied to them, and that what they had taken to be propaganda was the truth, and what they had taken to be the truth was lies and invention.' But there was still a lot of work for Herbert Sulzbach to do amongst these young men, who gradually grew to admire him. ( photo shows Herbert Sulzbach in 1945)

On Monday 19 April 1880, Emily Louisa Brown started her first day at school. She walked from her home at 45 St Alban's Street to Walnut Tree Walk School, which was just a few yards away round the corner in the neighbouring street. She was 5 years and 10 days old. 45 St Alban's Street was a two-storey house and the Brown family occupied one floor, with the Apps family living in the other half of the house. Both Emily's father, Benjamin, and Maynard Apps worked as carmen, possibly for the nearby Bethlem Lunatic Asylum (now the Imperial War Museum). Maynard's wife, Caroline, worked – probably from home – making artificial flowers. On the day that Emily first went to school, she left her younger sisters, Sarah and Mary Ann, at her home with their mother, and joined Alfred and Arthur Apps (7 and 5 years old) at school. There were children of a similar age in every house in the street so she must have already known many of her fellow pupils. Four months later, on 19 August 1880, she was joined at school by her sister, Sarah Maria, who was then just a few weeks away from her fourth birthday. The school was a typical three-storey building built in red brick, similar to many others built by the School Board in London. In most such schools, the youngest children were taught on the ground floor and the top two floors were used by the older boys and girls. There were estimated to be about 100,000 poor working-class children in London at the time that the Board was set up in 1870 and it was hoped to create enough school places for them. Although schooling was not compulsory nationally until 1880, the London School Board passed a by-law in 1871 requiring parents to send their children to school between the ages of five and thirteen. The Board aimed to provide modern, high-quality schools and it was partly due to the provision of such schools that by the end of the 1880s, there were school places in London for more than 350,000 children. Nationally, the curriculum for the teaching in schools could be quite narrow. The government's requirements very much focussed on the traditional 'three Rs', but the London Board attempted a more liberal standard of education and included elementary science, history, singing, geometry (for boys) and needlework (for girls) amongst those subjects taught. After leaving school, Emily put her needlework skills to good use and worked as a mantle maker, sewing women's outer garments similar to a cape. (photo shows the school logbook entry for Emily's school admission)

A few years after Ethel May Smith was escaping on her bicycle from the family and societal pressures of the east of London, a young man in very different circumstances was grateful for the two wheels of his bicycle to be able to get away into the countryside with his friends. Herbert Sulzbach – unlike Ethel May – was born into a very rich family. He was the son of a banker in Frankfurt, Germany, and benefited from a privileged home life, an excellent education, and an assured lifestyle. But this brought its own expectations of success that he did not always feel able to meet. In April 1911, when this photo was taken, Herbert was seventeen years old. His father already owned one of the first Adler cars and Herbert was entranced by the possibilities of travel. He thoroughly enjoyed the car rides into the neighbouring forests with the family's chauffeur, Herr Blank. Later, Herbert would himself own cars that he would drive with great enthusiasm through Germany and Italy. (And in the First World War he would hanker after being able to fly aeroplanes.) But in 1911 he was just pleased to get out of Frankfurt on his bicycle and enjoy the nearby countryside. He and his friends would get up early and by five o'clock in the morning they would be ready to cycle into the surrounding woods. Herbert was not an academic scholar, and he did not enjoy banking, so cycling into the localities where he and his friends could enjoy the flowers and the healing powers of nature was a welcome and powerful release from family expectations. He particularly remembered his early morning forays into the forests in May, listening to birdsong. Herbert would ride also to school at the Goethe Gymnasium on his bike, and many years later he recalled first the anxiety, and then the thrill, that he felt at the time seeing his girlfriend, Mieze Kindervatter, riding her bike towards him from the opposite direction. In later years, after he had fought in the First World War, he felt trapped in the world of banking where he then found himself – so got on to his bike to visit his parents and talk with them about his future employment prospects. For young people in the early years of the twentieth century (in different countries) a bicycle represented an existence independent of their family, the possibility of different – and more radical – prospects, and an exciting new future. (the photo shows, left to right, Hans, Hedwig, Hertha, Karl, and Herbert Sulzbach in Frankfurt April 1911)

The bicycle became a powerful symbol of independence and liberation for many young women in the early years of the twentieth century. I will never cease to be amazed that my grandmother, Ethel May Smith, chose to have a studio photograph taken of herself standing proudly at the side of her bicycle – which she presumably wheeled into the studio. But this picture speaks volumes of the young woman that she was – and the example that she gave to her granddaughters. Ethel (later called Hettie by her husband, but I don't know what she was called as a girl) left school at the age of about twelve and worked as a shirtmaker – specifically as a collar-maker. When she was 15 years old, in 1901, she was working as a 'shirt machinist' and living at 57, Commerell Street in Greenwich. The following year, the pedestrian tunnel under the Thames was opened, connecting Greenwich to the Isle of Dogs. Although cycling in the tunnel was prohibited, Ethel rode her bicycle under the river - from her home near the entrance, to her work in a factory on the north side, where she eventually rose to supervise machinists in the collar-making section. In her occasional free time from the factory, Ethel rode her bike away from the poor streets of Greenwich into the nearby Kent countryside, where she no doubt met with other bicycle enthusiasts. Cycling was an absolute craze during the early years of the twentieth century – and Ethel relished the freedom that her bicycle gave her, as well as the freedom of the clothes that had been adapted for the female cyclist. Although an extravagant hat seems to have always been part of her outfit. Ethel's enthusiasm for two- or four-wheeled vehicles met that of a young police officer from the area, Wilfred Percy Reeve. I do not know whether or not they belonged to any of the many cycling clubs that sprang up on the edges of south-east London at that time but they both had an energetic approach to life and a dashing bravura that challenged many of the accepted conventions of society. Bicycles – and later cars – were a way whereby they each tried to escape the restrictions of their lives. Ethel May Smith and Wilfred Percy Reeve were married on 22 January 1910 in Ethel's local church – All Hallows, East India Dock Road, in the heart of London's dockland. (the photo shows Ethel with her bicycle, posed for a studio photograph)

They had arrived in Aix in a hurry – by train from the south-west of France. As soon as they were given permission to leave their refuge in the little village of Arette, Henny and Hermann had made arrangements to travel to Marseille to try to expedite their emigration to the USA. It was April 1941 and they were very apprehensive – partly because of the enormity of the possibilities and partly because they feared that their paperwork was incomplete. They had not even had the chance to inform their young daughters in England about what they were doing. They decided not to try to find accommodation in Marseille because the city was already crammed with others trying to leave, and also because of the extra expense there. Instead, they found a room in Aix en Provence, at 16 rue de la Couronne – about half an hour away from Marseille, and close to the Jewish community and synagogue there. They had permission to be away from their refuge for four weeks but this extended to seven as Henny went from one official to another, from one committee to another, to gather the required documents. Meanwhile, Hermann took his place at the synagogue, taught and gave lectures, and played the harmonium there. Henny was eventually successful in acquiring the many necessary papers, and was given a provisional visa for herself and Hermann to travel to America – provisional on obtaining the tickets for the ship from Marseille to the USA. Neither of them had any money for the fare (which was hundreds of dollars), fewer ships were risking the journey across the Atlantic, and America was just announcing completely new rules for immigration. So, for Henny and Hermann, emigration had become an impossibility and they made their way back to Arette. Hermann recognised what was at stake during their visit, and on the first day that Henny left Aix to go the American Consulate in Marseille, he wrote to his daughters, 'Your mother is so courageous and has supported me so well and strongly in every emergency. She never despairs and bears all difficulties and emergencies with me. You must never forget that, no matter what fate brings, and what else happens with us and you.' Henny and Hermann returned to their good friends in Arette but they were never able to emigrate, and they never saw their daughters again. (photo shows the front door to 16, rue de la Couronne, Aix, where they rented a room)

It wasn't an April Fool's joke. Part way through Adolf Hitler's speech to a massed crowd of 80,000 people in front of the City Hall in Wilhelmshaven, the radio transmission abruptly failed. Those listening throughout Germany on their radios feared that their Führer had been assassinated but the truth was more prosaic – Hitler was delivering such a vitriolic speech that the radio engineers and their superiors considered it would be better if the rest of the world did not hear it in case foreign nations viewed it as war provocation. It was 1 April 1939 and Hitler was in Wilhelmshaven to launch the new German battleship, ' Tirpitz '. Named after Grand Admiral Alfred Tirpitz, who was the architect of the German Imperial Navy, the hull of the battleship was launched by his grand-daughter with great ceremony at the Wilhelmshaven navy dockyard. On the same day, Adolf Hitler was awarded the Freedom of the City at a grand ceremony in the City Hall after his speech in the square outside. Henny and Hermann Hartog were not in Wilhelmshaven during Hitler's visit. Hermann no longer had a job as a Jewish teacher there, and since ' Kristallnacht ' they had not been allowed to live in their apartment in the city because it was not owned by a Jew. So, they had returned to Hermann's home town of Aurich, where his sister owned the family home, and they were busy doing everything they could to escape from Germany. Later that month, Henny travelled to see her family in Frankfurt – partly to say goodbye before leaving the country, and partly to prepare a new home for her father in her uncle's house. The battleship ' Tirpitz ' was sunk by the British Navy on 12 November 1944. On Thursday 6 February 2025, almost 86 years after the City's award to Adolf Hitler in the Main Aula of the City Hall, I stood in the same building and the same place as him – at the invitation of the City of Wilhelmshaven - to tell the story of Henny and Hermann Hartog. There was a maximum capacity audience and the empathy from the people of Wilhelmshaven was heart-warming. (the photo shows Hitler outside Wilhelmshaven City Hall on 1 April 1939)

My grandmother, Ethel Chapple (née Fryer), worked as a domestic servant before she was married. Like most others, she changed her position every two or three years – there was considerable demand for their services as the nineteenth century changed into the twentieth. Many of the houses where Ethel worked belonged to members of the clergy. In the spring of 1901, on Sunday 31 March, a national census was undertaken. This date was exactly one week before Easter Sunday. As it happened, Ethel was in her employer's house that day – the Vicarage of St Bartholomew's Church at Areley Kings in Worcestershire – where she worked at different times as a housemaid and parlourmaid. If the census had taken place two weeks earlier (three weeks before Easter) it is unlikely that she would have been there. The Sunday three weeks before Easter has traditionally been when Mothering Sunday has been celebrated. My grandmother told me how she was always allowed the day off from work for Mothering Sunday, so that she could go home to visit her mother. Areley Kings is about fifteen miles south of Ethel's home and I do not know how she made the journey, or if she was allowed slightly longer in order to be able to take the train. Ethel's home was in an isolated hamlet in Broad Lanes, near Bridgnorth, in Shropshire. She told me that as she walked along the narrow lanes closer to home, she would always pick a bouquet of spring flowers from the hedgerows to take as a gift for her mother, Hannah. In return, she knew that when she arrived home she would find that her mother had baked a simnel cake for them all to share. The simnel cake was baked to a traditional recipe passed on from Hannah's mother – and later to me. It was a fruit cake with a layer of almond marzipan across it midway. On the top was another circle of marzipan, decorated with eleven balls of marzipan - and this had been toasted in the oven or under a flame. The eleven balls of marzipan represented the eleven disciples who were loyal to Jesus. When Ethel left to return to work, she always took a generous portion of the cake back with her. Every Mothering Sunday, while Ethel was at home, the family attended the celebratory service at their nearby church. The Church of the Holy Innocents at Tuck Hill stands in an idyllic setting on the top of a hill and in spring-time is surrounded by drifts of daffodils and a glorious mass of wild spring flowers. It was a magical time for Ethel when she was pleased to be able to go home, and she kept the memories alive throughout her long life.  (the photo shows the Vicarage at Areley Kings where Ethel worked as housemaid and parlourmaid)